When The Hood finds and invades International Rescue's secret base and traps most of the Tracy family, only young Alan Tracy and his friends can save the day.
The year is 2010. Teenager Alan Tracy, sent off to a distant boarding school, is the youngest of the sons of Jeff Tracy, a retired American astronaut. Jeff, a widower, has formed International Rescue, and raised his sons to act as a secret, volunteer organization which uses highly advanced technology to save lives worldwide. Jeff and his older sons John, Virgil, Scott, and Gordon, who like Alan were named after the Mercury Seven astronauts are joined in this effort by Lady Penelope and her butler/chauffeur Parker. Their futuristic hardware is largely developed by a genius scientist known as Brains, who lives at the International Rescue base on Tracy Island, somewhere in the Pacific.
In spite of an apparent advertising glitch where the title was either Thunderbirds Are Go! or Thunderbirds to the Rescue! (Last minute changes are almost a sure sign of trouble), I went to see it anyway – mostly out of nostalgia for the old show.<br/><br/>My mouth was agape at the superior production values (especially the 60&#39;s style cinematography) and the detail in the machines and sets. The acting level was far superior to, say, &quot;SpiderMan&quot; (Ben Kingsley could have slept walked through his role, but he tried to put a little effort into it).<br/><br/>My only disappointment was that I thought this was aimed at nine year olds, but it seemed much more suitable for about 16 and older.<br/><br/>Maybe 40 years of &quot;Spiderman&quot; comics, cartoons, TV series, and now movies may have given me unrealistic expectations for a $100 million plus dollar movie, but Thunderbirds (what ever the title) did a much more spectacular job for its $57 million or so.<br/><br/>This is not Oscar(R) material, but it will give you a warm, fuzzy feeling for your admittance.
I appreciated the review as seen above, but for those of use with younger (through 12) children, the movie was a blast. I&#39;m an old Thunderbird fan from way back (okay, hold those comments) and I think the movie was close to the spirit of original. The special effects were super and the acting just fine. I was impressed that there was a strong father figure in the film and while it was a &quot;coming of age&quot; story, it did not demean the role of the parent in anyway. (How often do cartoons today portray parents as oafs? Every day, and I don&#39;t know about you, but I&#39;m tired of &#39;em.) I think Frakes and the cast did a fine job. Where is Thunderbird 2, guys? Taylor and I will be in line next summer!
It's a pretty entertaining, extremely good-looking cinematic blip–not important, not outstanding, but better than a lot of PG stuff that attempts to reach both parents and their 8-year-old kids.
According to publicity material, the film is set in 2020, six years before the first episode of the series. This may appear not to be canon to the TV series, and in fact isn&#39;t, but this is not a fault of the filmmakers. In the Christmas episode &quot;Give or Take a Million&quot;, we see a calendar with the year 2026. It has since been stated that this year was a mistake by the propmaker and should have been 2065, the year that Gerry Anderson wanted the series to be set in, and is generally accepted to be the case. But where Alan Tracy is 21 in the series, in the film he is 15, so the year corresponds correctly. Yes, there are quite a few:<br/><br/>Characters&#39; ages: Many of the characters are younger in the film than in the show. As this film is supposedly set six years before the series&#39; pilot (ignoring the fact that the episode features International Rescue&#39;s first mission) then this is feasible. However this is not applied to everyone; Lady Penelope and Parker are clearly around the ages given to them in the show (27 and 55, respectively) and Brains is also older - although that may because of another change; he&#39;s a father!<br/><br/>New characters: Yes, Brains has a son in the film, Fermat. Along with Onaha, wife of Jeff Tracy&#39;s manservant Kyrano, these two characters were created specifically for the film, as were The Hood&#39;s associates, Transom and Mullion.<br/><br/>Pilots: Jeff Tracy is seen flying Thunderbird 2 at the beginning of the film, with Virgil seemingly his co-pilot. Virgil is never seen flying her solo. The most obvious change is that Gordon Tracy is shown here to be the pilot of space rocket Thunderbird 3. In the series he was the aquanaut in charge of submarine Thunderbird 4, a role apparently given to Alan at the end of the film, going by the yellow colour-coding of his International Rescue uniform. <br/><br/>The Hood: Sir Ben Kingsley&#39;s character actually calls himself by this name in the film, as well as being referred to as The Hood by other characters. The Hood was never mentioned by name in the TV series, only in other media such as comics and publicity material.<br/><br/>FAB 1: Lady Penelope&#39;s famous pink Rolls Royce limousine of the TV show becomes a modified Ford Thunderbird car in the film. This is due to BMW, holders of the Rolls Royce marque, refusing to allow the filmmakers to use it. The new version does bear some trademarks of its TV counterpart, such as the glass canopy, six-wheel drive, and &quot;special features&quot; - although the version in the series did not fly…<br/><br/>Tin-Tin&#39;s powers: Unlike the TV series, in the film Tin-tin is shown to possess and use the same telekinetic/mind control powers as her uncle, The Hood.<br/><br/>Uniforms: International Rescue uniforms are completely different in the film than the TV series, although they are colour-coded like those in the show. Also, there are no hats, although an ice cream seller (a cameo by the film&#39;s visual effects supervisor, Mark Nelmes) can be briefly seen to be wearing a white version of the original TV series hat in the sequence where Thunderbird 2 lands in London. Jonathan Frakes confirms in the DVD commentary that this was a deliberate reference.<br/><br/> This footage was originally part of the sequence in the film where FAB1 approaches Tracy Island by sea. This scene originally concluded with The Hood firing a missile and destroying the car, forcing Lady Penelope and Parker to make the rest of the journey in the pedalo, but this was cut, and the pedalo footage moved to the end of the film. Simple answer: because Ford paid a lot of money for them to be there! The company struck a product placement deal with the filmmakers, which included Lady Penelope&#39;s car, FAB 1, being a modified Ford Thunderbird as opposed to the original series&#39; Rolls Royce, though this was as much the fault of the marque holder, BMW, not allowing it to be used. The placement of Ford vehicles throughout the film is so blatant and almost absurdly extensive that director Jonathan Frakes even suggests on his DVD commentary that it is detrimental to the film as a whole. He has a point.
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